Evolution of a B.C. trilogy

“Brett Grubisic’s (left) River Bend Trilogy novels are set in a fictional town on the Fraser River, based on Mission, B.C. where he grew up. Here, we learn other ways the titles are linked.” FULL STORY

“I don’t kai-yai around.”

Lawrence Paul Yuxweluptun wants to change the name of British Columbia. And how you think.

May 06th, 2016

“Immigrants are my hobby. I want them to understand who they are.” - Lawrence Paul Yuxweluptun

A new UBC Anthropology Museum exhibit and book show from and about activist painter Lawrence Paul Yuxweluptun shows the way.


LAWRENCE PAUL YUXWELUPTUN’S EXHIBITION “UNCEDED TERRITORIES” IS AT THE UBC INDIAN MORGUE FROM MAY 10 TO OCTOBER 16, ACCOMPANIED BY A BOOK OF THE SAME TITLE.

“I don’t kai-yai around,” says the artist — whose name is pronounced Yux WAY lup tun

By that, Yuxweluptun means he won’t appear in First Nations regalia to simplistically beat a drum for genteel greetings at civic events dominated by white liberals who like to congratulate themselves for being progressive enough to admit they have co-opted unceded territories—but will do nothing about restitution.

Yuxweluptun, who prefers the word Indian, says he was educated at the University of Knowledge of the Cedar Tree and he wears t-shirts that tell white folks B.C. YOUR BACK RENT IS DUE! or I AM HAVING A BAD COLONIAL DAY. As a neo-surrealist painter (influenced by Salvador Dali) and a polemicist, he is not interested in being polite.

An artist since 1985, the Vancouver-raised activist received his hereditary name Yuxweluptun (Man Who Possesses Many Masks) when, as a teenager, he was ceremonially initiated as a longhouse dancer among the Cowichan Coast Salish people (His father is Cowichan). More recently, he received the name Let’lo:ts’teltun, meaning Man of Many Colours.

He is no relation to the outspoken North Vancouver activist Andrew Paull who was active in the 1950s, but his cutting edge rhetoric is reminiscent of how far ahead of the curve Paull was. His mother, Evelyn Paul, was an executive director of the first provincial Aboriginal women’s organization, the B.C. Indian Homemakers’ Association, and his father, Benjamin Paul, was active in the Union of B.C. Indian Chiefs, Native American Indian Brotherhood and the Confederation of Native Indians of B.C.

Here below are edited excerpts from his Artist’s Statement for the new book Unceded Territories (MOA / Figure.1 $45) with text by Karen Duffek and Tania Willard, to coincide with the opening of his exhibition of the same name at UBC’s Museum of Anthropology, a place he has referred to as the Indian morgue.

Yuxweluptun, Lawrence Paul An Indian Game, 1996

An Indian Game, 1996, by Lawrence Paul Yuxweluptun.

by Lawrence Paul Yuxweluptun

British Columbia joined the Dominion of Canada without the written consent of Aboriginal people. This is a non-treaty province. Your back rent is due, British Columbia.

Let us formally change the name of British Columbia, because this land is not your land, Canada. This land is not your land, B.C.

I suggest that we call this province what it truly is: the Northwest Coast Territory, or NWCT. My other title proposal is the Traditional Native Territories, or TNT…

If they want to go the distance on land claims, then I’m claiming the sky. I’m going to count every cloud of the day and you can buy those clouds. They’re not free. I’m going to count every tree, I’m going to count every bird, I’m going to count every worm, I’m going to count every raindrop. We’re going to count how many raindrops fall per square inch, and you can buy the rain – you can have the rain then, but it’s not going to be free…

I’m not a traditionalist, though I did my Black Face dancing, I did my masked dancing, and I have traditional philosophy. But my work is for the world. Natives already know what it feels like having a bad colonial day. We wake up to it. Reading the paper again, reading about some Indian woman being killed or some Indian man being slashed up and beat up – there’s always something there. And they’re not always good Indian men: Indian men killing Indian women, brown on brown. It’s disheartening. Where does that violence come from? There’s this whole world of clashes of culture and time, and it’s not something you see on a totem pole…

It’s been my life’s goal to portray the negative and positive realities of this world. I’m interested in recording history: residential schools; global warming, deforestation, and pollution; worldwide concerns such as the hole in the ozone layer; environmentalism, humanities, humour, and existentialism.

If you allow only the colonialists to record history, they record it to their own glorification. I wanted to take that position of power, of historical painting, and put it into my own hands – take possession of history.

We as Native people exist in a Canadian apartheid, imprisoned under the Indian Act.

Quit hiding behind names, Canada. Let’s call the Indian Act what it is: The White Supremacy Act.

If we can celebrate Canada Day and the Queen’s birthday, even Thanksgiving, we have to include Aboriginal Day as a national holiday for Natives and non-Natives alike, to start a new relationship.

Yuxweluptun, Lawrence Paul Fish Farmers they have Sea Lice, 2014

Fish Farmers they have Sea Lice, 2014.

We have to get along at some point, so how do you deal with post-residential school, colonization, and stress-disorder syndrome? I want the pope to apologize and pay for the sins of all his priests. It was a sin to create a genocide, to try to abolish my culture, my language…

I suffer from colonial stress-disorder syndrome every day, not being able to speak my language.

How do you rectify these things? It’s not easy, I’ve been watching our plight in this country, and what I want to do is talk to the world. That’s why I paint.

I just happen to be part of the modernist movement in the Native community that is taking the translation of our cultures in new directions.

Just like the originators of pointillism, cubism, and expressionism, I have created visionism, and I am the originator of the contemporary art form of ovoidism. Like those contemporary artists before me, I felt the need to break from traditional art forms, and have been at the forefront of amalgamating the past with the present.

I’m not always dealing with Indian issues. I’m looking at global issues as well. My Super Predator series is dealing with the one percent of the planet that tells the rest of the world what to do – the new world order that is in a position to say, “Well, we just want to get richer and you’re going to get poorer, and we want to destroy whatever we want and take whatever we want and do whatever we want, because there are no rules…

Immigrants are my hobby. I want them to understand who they are.

Having treaties is not the answer to the Indian problem in this province. It’s our land, and we don’t have to sell it. Some Indians are very poor, and I don’t blame them for wanting money right now. But in the meantime, why don’t we just go after back rent rather than land claims?

Yuxweluptun, Lawrence Paul Red Man watching White Man Trying to fix hole in sky, 1990

Red Man watching White Man Trying to fix hole in sky, 1990.

I was the first generation of Indian kids to go to public school. I really liked it. I got European training. All my friends were non-Native; I grew up with them, I understood them, we got along. I played hockey in a municipal league with the children of the Richmond community; I didn’t play on an Indian hockey team, though later in life I played for about two years for the Native B.C. all-star team. I have chosen to integrate freely as a person with my own will and in my own way, as a free human being.

I’m a very assimilated person, but not as Pierre Elliott Trudeau wanted me to be. I understand his dream. There’s nothing wrong with assimilation; it’s just a matter of a person choosing to do so in their own way, and I thing that’s what Natives are saying. We don’t have to be segregated anymore.

Yes, abolish all reservations and let us embark on this journey into this country. The chiefs may not like that idea, those who say you have to keep the reservations and treaties intact. No, turn the reservations into municipalities. We can grow.

The Berlin Wall came down: why can’t you take down the colonial reservations globally?

978-1-927958-51-3

3 Responses to ““I don’t kai-yai around.””

  1. Richard daly says:

    All geological place names in BC should be bilingual, with the local language first on all signs. As for BC, it is a very unfortunate name devised by Queen Vickie who wanted her empire to have its own share of Christopher Columbus glory, she said. What about something more neutral, like Pacifica? Even if that too smacks of colonialism and the maudit anglais, it is open to pre and post colonial heritage and future elaborations. Or a Pan Indian name, but in which tongue? Even Chinook smells of commerce, oppression and profit-seeking…

  2. anne cameron says:

    Might I suggest “Tillicum” instead of British (we’re not) Columbia (gimme a break!)

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