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Ormsby #111 Christ not Almighty

In The Secular Northwest, Tina Block examines atheism in B.C. and Washington State in the postwar period.

April 01st, 2017

The Alix Goolden Performance Hall in Victoria was formerly a Methodist Church.

“Residents of B.C. and Washington State were far more likely to reject, dismiss, and ignore religion,” she says, “particularly in its organized forms.”


REVIEW: The Secular Northwest: Religion and Irreligion in Everyday Postwar Life

by Tina Block

Vancouver: UBC Press, 2017.

$32.95  / 9780774831291

Reviewed by Chelsea Horton

 

Tina Block

For some in B.C., irreligion has been a blessing in disguise. Since the 1980s, many B.C. churches have been deconsecrated, sold, and “repurposed” as art galleries, museums, performance halls, restaurants, and even pot shops. Reviewer Chelsea Horton welcomes Tina Block’s The Secular Northwest as a “thoughtful and thought-provoking work” that offers a relatively uncommon analysis of secularism in postwar B.C. –Ed.

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Historian Tina Block’s starting point in this book will ring familiar for readers of The Ormsby Review: there is a long and distinct history of secularity in British Columbia and the American Pacific Northwest, which witnessed a clear uptick in the decades following the Second World War. As Block observes in her opening pages, the secularity of this region has elicited “much comment, but little investigation” (p. 2).

Block’s The Secular Northwest: Religion and Irreligion in Everyday Postwar Life accordingly, and fruitfully, interrogates the production of this secular culture in British Columbia and Washington State between the 1950s and 1970s. Secularism, in this case, means more than unbelief. Through a focus on the everyday, Block reveals a regional culture that eschewed organized religion and atheism alike, “and that accepted and allowed for multiple, intermittent, and informal ways of engaging and rebuffing the sacred” (p. 4).

This culture, she further illustrates, did not emanate from any natural regional essence. Rather, secularism was one strand that contributed to the construction of a unique sense of place in British Columbia or in the Northwest.

The Amazing Space Gallery in Wells, before New Year’s Eve 2014. Formerly Holy Rosary Catholic Church.

Block gets at all of this through a rich mix of primary source material. Documentary sources such as the publications of church and secularist organizations, combined with travel literature, popular histories, and newspapers, reveal cultural currents like a lingering discourse of “the white, male wageworkers frontier” in the Northwest (p. 11).

Quantitative sources, meanwhile, illustrate that irreligion (a term Block uses interchangeably with secularity) was “broadly based” in the region. Census and survey data, for example, reveal that women and middle-class residents, not just working-class men, were “less religious than their counterparts in other regions” (p. 14).

Baptist Church in Peachland is now a museum.

Block also draws on forty interviews that she conducted in Vancouver, Nanaimo, Seattle, Olympia, and Port Angeles with individuals across, and even off, the secularism spectrum. Attentive to oral history as memory act, Block examines these interviews for insights into the construction of a regional irreligious identity.

Riffing on the “lived religion” approach of the likes of religious studies scholar Robert Orsi, Block further draws on these interviews to explore everyday experiences of “living against” religion in the Northwest (p. 7).

This comes to life most vividly in Block’s fifth chapter, which is focused on the family. Here we meet interviewees, women especially, wrestling with assumptions of female piety, family expectations, and democratic ideals as they struggled with quotidian decisions such as whether or not to send their children to Sunday school.

Shawnigan Lake United Church is now a marijuana dispensary.

While interview quotes are woven throughout The Secular Northwest, I found myself wanting more of the texture featured in this chapter, more stories and feel for specific places, people, and the messiness of lives lived. I wanted to know more about Jean and the hummingbird that brought her more joy than sitting in any church pew ever did (p. 102).

Perhaps that’s because I (and I suspect many readers of The Ormsby Review) am such a direct product of the history of British Columbian irreligion examined here. Indeed, I can’t shake the thought that my own grandparents, who were all postwar suburban settler secularists on the west coast, would have made compelling interviewees for Block (had they been the type to respond to advertisements seeking academic research participants; and they most decidedly were not).

In contrast to The Secular Northwest’s close analysis of gender, class, and place, race receives somewhat shorter shrift in this book. Block argues that, “Northwest secularity crossed lines of race and ethnicity, but was presumed to be made and perpetuated primarily by whites in the region. It was imagined as an element of the Northwest’s frontier identity, an identity premised in part on unquestioned assumptions of whiteness” (p. 168). Given this, Block’s decision to focus on white subjects makes sense. But the category of whiteness itself, along with the colonial discourse of the frontier, calls for deeper examination.

Kamloops residential school

Further, how did white secularity in the Northwest intersect with ongoing church involvement in the operation of Indian Residential Schools in B.C. in this period? And, on the more “noble” side of the savage equation, what of postwar associations of Indigenous peoples and nature in this region? And of related appropriations of Indigenous spiritual forms?

To point up such questions is not meant to pull the classic reviewer’s “this-is-not-the-book-I-would-have-written” move. Indeed, Block herself identifies several future avenues of inquiry at the end of The Secular Northwest, the experiences of “non-European, non-Christian populations” included (p. 172).

This thoughtful and thought-provoking work will also be interesting to revisit in light of the forthcoming publication of another historian, Lynne Marks, who takes up the issues of irreligion and religion in settler British Columbia in an earlier period.[1]

The Secular Northwest is social history, both old school and innovative. General readers may find its analytical sections somewhat slow going, but it’s worth it. There is, appropriately enough, much to meditate on here.|

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Chelsea Horton

Chelsea Horton is an historian based on Vancouver Island, where she resides in traditional Snaw-Naw-As territory. She holds a Ph.D. in Indigenous history from the University of British Columbia and is the co-editor, with Tolly Bradford, of Mixed Blessings: Indigenous Encounters with Christianity in Canada (UBC Press, 2016). Chelsea teaches in the field of Indigenous history and works as a research consultant with First Nations communities in British Columbia.

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The Ormsby Review. More Readers. More Reviews. More Often.

Reviews Editor: Richard Mackie

Reviews Publisher: Alan Twigg

The Ormsby Review is hosted by Simon Fraser University. The Advisory Board consists of Jean Barman, Robin Fisher, Cole Harris, Wade Davis, Hugh Johnston, Patricia Roy, David Stouck, and Graeme Wynn.

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[1] Lynne Marks, Infidels and the Damn Churches: Irreligion and Religion in Settler British Columbia (Vancouver: UBC Press, 2017).

One Response to “Ormsby #111 Christ not Almighty”

  1. […] Marks shares this approach with historian Tina Block, whose recent book is also reviewed here: The Secular Northwest: Religion and Irreligion in Everyday Postwar Life (UBC Press, 2016) http://bcbooklook.com/2017/04/01/where-christ-is-not-almighty-2/ […]

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