More to Tahiti than Paul Gauguin
As an anthropologist, Monique Layton wanted to show how and why eighteenth-century Otaheite became twenty-first-century Tahiti. Consequently she wrote The New Arcadia. Tahiti's Cursed Myth (FriesenPress $21.95).
July 29th, 2015
“I started reading,” she says, “and soon fell in love, totally in love, like a teenager.”
The initial reason Monique Layton became interested in French Polynesia was escapism. Having spent about five months in hospital and nine months in rehab following a serious accident, she had started to research and write an ethnography of hospital life–a tad depressing but within her wheelhouse as an anthropologist.
“Then one day, straight out of the antipodal part of my brain,” she says “came up the word Tahiti…” All she knew about it was the cliché of palm trees, beaches, dancing vahines. “I started reading,” says, “and soon fell in love, totally in love, like a teenager. I was in pretty weakened condition, it’s true, but it was definitely love.”
She went twice (2012 and 2014) and even practised speaking French with a Tahitian accent once she heard it spoken on the islands. Due to limited mobility, she can’t see as much of the archipelago as she’d like, but she intends to return.
“The Tahitian reality is often grim,” she says, “but the mirage somehow endures.
As an anthropologist, she wanted to show how and why eighteenth-century Otaheite became twenty-first-century Tahiti. Consequently Layton has self-published The New Arcadia: Tahiti’s Cursed Myth (FriesenPress, 2015).
Based on historical records, sailors’ journals, Ma’ohi epic poetry, European paintings, folkloric events, the film industry, and novels by modern Tahitian writers, The New Arcadia follows the passage from Otaheite’s paradisal way of life through the disastrous encounters with European civilization, ending with French Polynesia’s modern prospects.
Most remarkable of all is the enduring Ma’ohi culture’s survival into the twenty-first century. Evidence of its former potency still remains.
“Unfortunately, Polynesians were not builders,” says Layton, “and a few black stones only attest to the sanctity of these marae, most of which have been restored by the French. They were used for all religious and social occasions. At the back, the platform shows some carved panels, the unus.”
According to Layton, since being “discovered” in 1767, Tahiti has been branded with “the irresistible dual myth of the Noble Savage’s harmonious Arcadian life and of the vahine’s amorous favours freely granted.
People (navigators, missionaries, whalers, slavers) and events (deadly epidemics, atomic testing, and now tourism), all have contributed over time to creating the modern Tahitian quandary: trying to recover an idealized past and losing the benefits of modern life, or continuing as a cog in the French administrative system and losing her soul.”
Also as a cultural anthropologist, Monique Layton produced Street Women and the Art of Bullshitting (Webzines of Vancouver) based on 1970s research that led to a 1975 B.C. Police Commission report called ‘Prostitution in Vancouver (1973-1975): Formal and Informal Reports’, as well as a doctoral dissertation. 978-1-926820-20-0
Street Women and the Art of Bullshitting (Webzines of Vancouver)
Translator of: Structural Anthropology II (New York: Basic Books, 1976. Republished by the University of Chicago Press, 1983) by Claude Lévi-Strauss.
Notes from Elsewhere. Travel and Other Matters (iUniverse 2011).
ISBN: 978-1-4620-3649 (sc) $21.95
ISBN: 978-1-4620-3651 (hc)
ISBN: 978-1-4620 – 3650 (e)
The New Arcadia. Tahiti’s Cursed Myth (FriesenPress, 2015). 978-1-4602-6859-9 (hardcover)